The source material for this work follows the process of combining my newfound knowledge of backscatter with my concurrent newfound knowledge of the capabilities of the Recorder (Blockflöte) and Panflute families. The origin of backscatter lies in an environment where reflection occurs, so the reflective nature of the relationship between the acoustic voices are further reflected back at the listener through the help of the live elcetronic playback.
This work is an extracted movement from a larger eight movement cycle.