contrahent

The relationship between the two sound bodies could be simplified as the relationship between a mallet or hammer and a string and percussion instrument - with the glass, the player plays different parts of the sound corpus of the piano - but the glass, through its sound quality, also becomes a sound object when played on the piano; sound synthesis of both bodies is, however, the ultimate goal. Two very firmly coded objects are partially placed in new contexts, which nevertheless raises the question: does an object that stands for excess belong in the holiest of classical instruments?

This piece was premiered on 5.12.2020 during 'Mehrlicht!Musik' festival organized by HfM Hanns Eisler and UdK Berlin.

It was picked up by score follower:)