Julie Desmet Weaver was formed in Marseille at the Conservatoire d'Art Dramatique, and in dance at Studio-Ballet by Colette Armand. Then, in Paris with Raymond Acquaviva and Eva Saint Paul. She plays and participates in many multidisciplinary performances. She received the Mounet Sully Prize for her interpretation of poetry, and for her performance in the "Dali" musical, she compete as "Best Hope" for the Musicals. As a stage director, she creates, with the choreographer Eugénie Andrin the play "PHEDRE LA DERNIERE DANSE" with the "danseur étoile" from Paris s' Opéra : Jean Guizerix, in artistic residency at the National Dance Center of Paris in Pantin. This creation was played in June 2017 at the Festival "Myths in the city" in Romania. Since 2016, Julie is involved in the exploration of a writing involving digital language, in order to offer new experiences to the viewer and to initiate meetings around literary, visual, sound and interactive stories. She works on interactive storytelling and engages in a research "transmedia" ... Recently, the Virtual Reality project, imagined with her team was selected at the "Ciné Corps Festival" to benefit from technical support and production. She is currently working on the adaptation and staging of the Living Art - Digital Art project : "L'ECUME DES JOURS, rêverie virtuelle et sonore" an adaptation for an actor evolving in a digital installation. This creation is supported in coproduction by Nicole Bertolt and the Boris Vian society for the next centenary en 2019-2020, and by ADAMI as an "innovative arts" project, and by the Cube, the digital arts creation center of Paris.

"It is the astonishment that is the trigger of change because it opens the doors of imagination. Everything starts with a glare."