Curiosity, fearlessness and versatility carry Lina Andonovska’s artistry around the globe. Andonovska is a rare breed in the flute world; a name that you’ll discover on both the pages of Rolling Stone and the Australian Chamber Orchestra roster, she has not only cultivated partnerships with leading composers including Louis Andriessen, Donnacha Dennehy and flautist Claire Chase, but also deep community ties from Timor Leste to Tokyo’s incubator Wonder Site.

She has collaborated with groups including Crash Ensemble, Deutsches Kammerorchester, Ensemble Modern, stargaze and Southern Cross Soloists. She is critically acclaimed for her interpretation of new music; Rolling Stone Magazine hailed her performance at Bang On A Can Summer Festival as “superbly played, (ranging) from sustained ‘somebody-please-get-that-tea-kettle’ squeaks to the flit and flutter of its beautifully lilting trills…”

As an orchestral player she has worked with the BBC Symphony Orchestra, Australian Chamber Orchestra, Malaysian Philharmonic Orchestra, Southbank Sinfonia and most of Australia’s symphony orchestras. As concerto soloist she has performed with Deutsches Kammerorchester, Orchestra Victoria, Tasmanian Symphony Orchestra and Southbank Sinfonia.

Recent performance credits include a solo performance at the Melbourne International Arts Festival that was noted as “re-defining the act of going solo “ (​The Age)​, Brett Dean’s flute concerto ‘Siduri Dances’ with Deutsches Kammerorchester, Tokyo Experimental Festival Grand Prize, appearances with stargaze at the Edinburgh International Festival, Berlin’s acclaimed ​Unerhörte Musik series and a solo recital at Musica Nova Helsinki​.​ Lina released her debut solo album with Diatribe Records label in early 2020.

Lina is currently a recipient of Music Network’s Music Capital Scheme, funded by the Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media. Music Network is funded by The Arts Council.

“Aussie flautist wows with technique, invention and style…The recording is stunning: a rich, resonant setting for luscious sounds, all of which results in an exciting, beautifully performed and very impressive exploration of flute timbre and sonic possibility.”
– ★★★★ Limelight Magazine, Album Review of A Way A Lone A Last

“Contemporary yet timeless, A Way A Lone A Last is an absorbing blend of cerebral concept and visceral, playful execution. Andonovoska’s fine debut is brimming with energy and bold textures, though marked throughout by nuance. A name to watch out for.” – ★★★★ All About Jazz, Album Review of A Way A Lone A Last

“Andonovska’s control of her instrument is immediately applaudable and the cyclonic energy of her playing commands an intensity of listening that is rare to encounter. Equally strong as an artist and a technician, it is the former that shines through and defines Andonovska as one of Australia’s leading artists, collaborators and curators.” – Music Trust Australia, Album Review of A Way A Lone A Last

“What certainly does unify the album are Andonovska’s (and Jacobson’s) incredible performances. Not once does she nod, even in performing music of great difficulty demanding a huge breadth of competence: in extended techniques, free-jazz improvisation, classically beautiful tone, working with electronics – and often in rapid succession. From this point of view, the album is a tour de force, and well worth a serious listen.” – The Journal of Music, Album Review of A Way A Lone A Last

“I was wowed by the playing in A Way A Lone At Last, which featured flautists Lina Andonovska and Claire Chase, and percussionist Matthew Jacobson…” - The Irish Times, New Music Dublin 2020

“Redefining the art of going solo…(Andonovska’s) stage ability is something to behold…Andonovska does not simply ask for your attention, she demands it. a holistically excellent performer at the helm.” ★★★★ The Age, Melbourne International Arts Festival review

“we are treated to a brief yet brilliant rendition, largely thanks to Australian flautist Lina Andonovska who drives the performance with wonderfully extroverted command throughout…bolstered with remarkable accuracy by the (Deutsches Kammerorchester) via Dean as conductor, Andonovska’s wunderkind display is a real highlight this evening.”…Drowned in Sound, March 2017