Chinese-born composer, sound artist Anqi Liu started her formal compositional studies at twenty-three although she began her piano training at age four. Despite this late beginning, her music has been performed across the U.S, Europe, and Asia at venues and concert halls like Le Poisson Rouge (NYC), Shapeshifter Lab (NYC), The Firehouse Space (NYC), Dusk Dawn Club, Beijing Mao Live House, INNER FIELD New York, Heluting Concert Hall at Shanghai Conservatory, Suzhou Art Center, Central Conservatory Concert Hall, Palace of Fontainebleau and others. She has been commissioned by and has been working with a group of musicians and ensembles including Steven Schick, Kyle Motl, Teresa Diáz, Ensemble Palimpsest, Meraki Chamber Players, New Brunswick Chamber Orchestra, Mivos Quartet, Air Contemporary Music Collection at Central Conservatory, Vanguard Culture San Diego, Nouveau Classical Project, Norrbotten NEO Sweden, and many others. She has been selected to attend summer academies and conferences such as Ircam ManiFeste the Academy composition workshop 2020, ELECTRONIC MUSIC WEEKEND MISE-EN_PLACE Bushwick 2019, Kalv Music Academy in Sweden, California Electronic Music Exchange Concert (CEMEC) - Stanford 2018, Ecoles d'Art Américaines de Fontainebleau in France with full scholarship award, International Computer Music Conference (ICMC) 2017 with travel grand from ICMA.

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Pursuing her Ph.D. under the advice of Lei Liang at UC San Diego, Liu got her bachelor's degrees in Law and Music Performance at Xiamen University and an MA in Composition from Rutgers University. Distinct from conventional compositional training, her music degree included extensive travels throughout the Chinese hinterlands to seek and study the original folk music of Chinese minority groups. Experiences like these fostered unique perspectives of sounds in her. Deeply carving in the internal structure of sounds to maximally reveal unknown sonic potential, she experiments with diverse possibilities to expand space and the dimensions of sound. These experiments often lead to challenges that call into question conventional ways of playing or viewing the instruments. At UCSD, she studied electroacoustic with Rand Steiger, Miller Puckette, Tom Erbe and Natasha Diels. She starts to play with modular synthesizers after studying with Tom Erbe. Her composition teachers include Anthony Davis, Roger Reynolds, Rand Steiger, Chinary Ung, Zhou Long, Chen Yi, Paul Rudy, Robert Aldridge, Charles Fussell, and Gerald Chenoweth. In addition, she had composition lessons with Allain Gaussin, François Paris, Pierluigi Billone and Per Mårtensson.



Being born and raised in a Manchurian minority family in Inner Mongolia, the autonomous province in Northern China, her identity has always felt complex. Her experience in both the western world and China has driven her to give an authentic voice to the underrepresented culture she came from.